For the more adventurous, as well as where the application requires more than just the hands-on direct control available from the 16. There are many areas of the StudioLive 16. In the Fat Channel, assign Aux 1 to the Main outputs. There are also some good 'first base' presets included for the more common channel assignments, such as kick drum, jazz piano and so on, which might be helpful while you're getting used to the StudioLive 16. In 1986 we moved to a full product offering and 64-page catalog, which over the years has grown to 162 pages.
The replacement unit arrived and functioned for two months. The processor itself contains 100 presets that can be recalled by either of the two processors. This encoder sets, and the meter displays, the gate thresh old for the selected channel. Post Fader Send Button Enables and Disables Post Fader Send. High Pass filter Engages the High Pass Filter.
We find out how well it performs on the road. This is a pretty comprehensive monitoring section, and wouldn't be out of place on a larger and more expensive mixer. I, too, see the Presonus StudioLive 16. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Too much emphasis will make for a boomy mix.
The StudioLive is equipped with two auxiliary inputs effects returns. The tone is not colored at all, and I don't hear any weird digital artifacts. The buffer size or latency determines the roundtrip time it takes audio data to be converted from analog to digital and back to analog. When Auto mode is active, the Attack and Release controls become inoperative, and a preprogrammed attack and release curve is used. Why do you need noise gates? The rear panel of the StudioLive 16. Unlike those house credit cards that can leave you vulnerable to exorbitant interest charges once the promotional period ends, we never have and never will charge interest when you take advantage of one of the zZounds Play as you Pay® plans.
All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality. Of relevance to all applications, however, is the 'System' menu, which gives access to various global and housekeeping settings. To see if ShippingPass is right for you, try a 30-day free trial. Taking up less than two square feet, the 16. This is an easy compression with a low ratio setting for ballads, allowing a wider dynamic range. This arrangement results in ultra-low noise and wide gain control, allowing you to boost signals without increasing unwanted background noise.
I've also pushed the compressor up to limiting, and it's a very smooth sound, not harsh and fuzzy like most digital limiters I've used. A strong point of digital mixers in general is the ability to store, copy and paste data settings, so that all effects parameters and settings can be copied and applied to another channel with a couple of button presses. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. Channel Fader Controls the Level of the Subgroup Bus. In this way, the StudioLive 16. Windows is a registered trademark of Microsoft, Inc.
Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Select the record enable and monitor on your track in Studio One Artist. For example, in the 'locate' mode it will show the twelve input strip faders, but if you touch one of the aux or main faders they instantly flip to show those instead — using meters 7 to 12 — and will flip back again the moment you move a channel fader: a pretty neat feature. And we're talking carry-it-under-your-arm compact: the 20-pound StudioLive 16. This integrates well with my setup on and off the stage. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved. There is a dedicated talkback mic input, situated on the back of the mixer with its own trim control, and the signal from that can be assigned to the aux buses in pairs.
? Factory Reconditioned products are often used at tradeshows for a short period of time or did not originally meet manufacturer specification. As with all FireStudio family interfaces, Universal Control includes two windows: the Launcher window and the Device window. I disconnected the 16R main outputs from my Drive Rack so only an Ethernet connection remained between the 16R and a standalone Ethernet switch and my laptop. In the upper-right corner of the StudioLive are the Subgroup meters, which display the levels of the subgroup outputs. But it all goes back to the sound, and you will not be disappointed. Want our best price even faster? By default these streams are routed to Channels 1 and 2 on your StudioLive.
The compression ratio can be adjusted from 1:1 to 14:1, which should be enough for any live situation. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. For mixing, each channel features a touch-sensitive, motorized fader. With every purchase I become more of a PreSonus and zZounds fan. This is something I regard as mandatory on any channel assigned to the man on the disco.
The headphone output is sensibly positioned on the front edge. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved. However, with the StudioLive, you have nothing to fear. So, how small can you go? This obviously isn't useful for automated plot changes during a theatre show, but for less demanding live concert work it's just fine. The stereo output has its own dedicated fader, as do the four analogue aux sends. I did have an initial roadblock: I selected my external hard drive as the record drive, since newer MacBook Pros only have one FireWire 800; the board wanted to be connected directly to the laptop.